Sabtu, 24 Desember 2011

Download Krrish Albums

Little offerings of krrish film about heroism and romance...!!!
  1. Koi Tumsa Nahin 
  2. Pyaar Ki Ek Kahani 
  3. Dil Na Diya 
  4. Chori Chori Chupke Chupke 
  5. Main Hoon Woh Aasman  
  6. Mystic Love Mix 
  7. Big Band Mix
only a few can we offer for you...!!
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Do you know our sleep is affected genes???

THE scientists found that some people need time to sleep longer than others because they have different genes. People with a gene known as ABCC9, for example, takes 30 minutes longer to sleep each night compared to the other. The results were revealed by scientists from the University of Edinburgh, UK, and Ludwig Maximilians University in Munich, Germany. Their findings are based on research of human sleep patterns and fly genes. According to them, time flies without the gene ABCC9 slept three hours less than the flies without the gene ABCC9. Scientists said the presence of these genes in humans to explain why some people sleep more than eight hours, which is used as a benchmark the average hours of normal sleep in the study. "The tendency to sleep shorter or longer often occur in families despite the fact that the number of hours of sleep a person can also be influenced by factors of age, latitude, season, and the rhythm of the body," said Dr Jim Wilson of the University of Edinburgh. More than 10,000 people in several European countries involved in the research and provide information about how long they sleep each night and also provided blood samples for DNA analysis. They also found that changes in the number of hours of daylight because of seasonal changes on the site located at different latitudes appear to also affect the amount of sleep a person needs. However further research is needed to determine the effect of season and location of the actual geography. The team of scientists from Germany and Britain also said the results of their research is important because lack of sleep is usually associated with many health problems, including obesity and heart disease.
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Selasa, 20 Desember 2011

Download Bryan Adam.mp3

Bryan adam songs are legendary here!!!
  1. BryanAdam-Allforlove.mp3
  2. BryanAdam-HereIAm.mp3
  3. BryanAdam-Cloudnumbernine.mp3
  4. BryanAdam-Please Forgive Me.mp3
please download the music above .....!!!
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Senin, 19 Desember 2011

Download REDMIX. mp3

  1. Hou-lai
  2. DJsammy-redmix
  3. Tiesto and Juliete-redmix

Good luck in downloading this redmix.....!!!!!!!
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Download Mujhse Dosti Karoge

These are 3 songs in the movie Mujhse dosti karoge:
  1. JAane Dil mein
  2. kehdo ke tum mujhse dosti karoge
  3. AndekhiAnjaani
survived fetching .....!!!
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Minggu, 18 Desember 2011

Download Justine Biber Music free

Jastine Biber feel free to Download songs by clicking on one of the titles of songs below:
  1. JustinBeiber-Baby.mp3
  2. JustinBieber-EenieMeenie.mp3 
  3. JustinBieber-FavoriteGirl.mp3 
  4. JustinBieber-LoveMe.mp3 
  5. JustinBieber-OneTime.mp3 
  6. JustinBieber-ThatShouldBeMe.mp3
Good luck in downloading this song.....!!!!!!!
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Sabtu, 17 Desember 2011

history of BMW

Bayerische Motoren Werke AG About this sound pronunciation (help·info) (BMW) (English: Bavarian Motor Works) is a German automobile, motorcycle and engine manufacturing company founded in 1917. It also owns and produces the Mini marque, and is the parent company of Rolls-Royce Motor Cars. BMW produces motorcycles under BMW Motorrad and Husqvarna brands. In 2010, the BMW group produced 1,481,253 automobiles and 112,271 motorcycles across all its brands. BMW entered existence as a business entity following a restructuring of the Rapp Motorenwerke aircraft engine manufacturing firm in 1917. After the end of World War I in 1918, BMW was forced to cease aircraft engine production by the terms of the Versailles Armistice Treaty.[3] The company consequently shifted to motorcycle production in 1923 once the restrictions of the treaty started to be lifted,[4] followed by automobiles in 1928–29.[5][6][7] The first car which BMW successfully produced and the car which launched BMW on the road to automobile production was the Dixi, it was based on the Austin 7 and licensed from the Austin Motor Company in Birmingham, England. The circular blue and white BMW logo or roundel is portrayed by BMW as the movement of an aircraft propeller, to signify the white blades cutting through the blue sky – an interpretation that BMW adopted for convenience in 1929, twelve years after the roundel was created.[8][9] The emblem evolved from the circular Rapp Motorenwerke company logo, from which the BMW company grew, combined with the blue and white colours of the flag of Bavaria, reversed to produce the BMW roundel. However, the origin of the logo being based on the movement of a propeller is in dispute, according to an article posted in 2010 by the New York Times, quoting "At the BMW Museum in Munich, Anne Schmidt-Possiwal, explained that the blue-and-white company logo did not represent a spinning propeller, but was meant to show the colours of the Free State of Bavaria."[10][unreliable source?] BMW's first significant aircraft engine was the BMW IIIa inline-six liquid-cooled engine of 1918, much preferred for its high-altitude performance.[11] With German rearmament in the 1930s, the company again began producing aircraft engines for the Luftwaffe. Among its successful World War II engine designs were the BMW 132 and BMW 801 air-cooled radial engines, and the pioneering BMW 003 axial-flow turbojet, which powered the tiny, 1944-1945-era jet-powered "emergency fighter", the Heinkel He 162 Spatz. The BMW 003 jet engine was tested in the A-1b version of the world's first jet fighter, the Messerschmitt Me 262, but BMW engines failed on takeoff, a major setback for the jet fighter program until successful testing with Junkers engines.[12][13] By the year 1959, the automotive division of BMW was in financial difficulties and a shareholders meeting was held to decide whether to go into liquidation or find a way of carrying on. It was decided to carry on and to try to cash in on the current economy car boom enjoyed so successfully by some of Germany's ex-aircraft manufacturers such as Messerschmitt and Heinkel. The rights to manufacture the Italian Iso Isetta were bought; the tiny cars themselves were to be powered by a modified form of BMW's own motorcycle engine. This was moderately successful and helped the company get back on its feet. The controlling majority shareholder of the BMW Aktiengesellschaft since 1959 is the Quandt family, which owns about 46% of the stock. The rest is in public float. BMW acquired the Hans Glas company based in Dingolfing, Germany, in 1966. It was reputed that the acquisition was mainly to gain access to Glas' development of the timing belt with an overhead camshaft in automotive applications.[14] Glas vehicles were briefly badged as BMW until the company was fully absorbed.
In 1992, BMW acquired a large stake in California based industrial design studio DesignworksUSA, which they fully acquired in 1995. In 1994, BMW bought the British Rover Group[15] (which at the time consisted of the Rover, Land Rover and MG brands as well as the rights to defunct brands including Austin and Morris), and owned it for six years. By 2000, Rover was making huge losses and BMW decided to sell the combine. The MG and Rover brands were sold to the Phoenix Consortium to form MG Rover, while Land Rover was taken over by Ford. BMW, meanwhile, retained the rights to build the new Mini, which was launched in 2001. Chief designer Chris Bangle announced his departure from BMW in February 2009, after serving on the design team for nearly seventeen years. He was replaced by Adrian van Hooydonk, Bangle's former right hand man. Bangle was known for his radical designs such as the 2002 7-Series and the 2002 Z4. In July 2007, the production rights for Husqvarna Motorcycles was purchased by BMW for a reported 93 million euros. BMW Motorrad plans to continue operating Husqvarna Motorcycles as a separate enterprise. All development, sales and production activities, as well as the current workforce, have remained in place at its present location at Varese.
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Jumat, 16 Desember 2011

Command Prompt

Command Prompt (executable name cmd.exe) is the Microsoft-supplied command-line interpreter on OS/2, Windows CE and on Windows NT-based operating systems (including Windows 2000, XP, Vista, 7, Server 2003 and Server 2008). It is the analog of COMMAND.COM in MS-DOS and Windows 9x (where it is called MS-DOS Prompt) systems, or of the Unix shells used on Unix-like systems. Versions Therese Stowell developed the initial version of cmd.exe for Windows NT.[1] Although some old DOS commands are unsupported or have been changed (ex: the functionality of deltree was rolled into rd in the form of the /s parameter), cmd.exe still has a greater number of built-in commands. Both the OS/2 and the Windows NT versions of cmd.exe have more detailed error messages than the blanket "Bad command or file name" (in the case of malformed commands) of command.com. In the OS/2 version of cmd.exe, errors are reported in the current language of the system, their text being taken from the system message files. The help command can then be issued with the error message number to obtain further information. cmd.exe remains part of Windows Vista, Windows Server 2008, and Windows 7. Technical information Unlike COMMAND.COM, which is a DOS program, cmd.exe is a native program for the platform. This allows it to take advantage of features available to native programs on the platform that are otherwise unavailable to DOS programs. For example, since cmd.exe is a native text-mode application on OS/2, it can use real pipes in command pipelines, allowing both sides of the pipeline to run concurrently. As a result, it is possible to redirect the standard error in cmd.exe, unlike COMMAND.COM. (COMMAND.COM uses temporary files, and runs the two sides serially, one after the other.) In reality, cmd.exe is a Windows program that acts as a DOS-like command line interpreter. It is generally compatible, but provides extensions which address some of the limitations of COMMAND.COM: SETLOCAL/ENDLOCAL commands limit the scope of changes to the environment internal CALL and GOTO labels lessen the need for individual batch files to perform parts of a task. filename-parsing extensions to the SET command are comparable to C shell. an expression-evaluation extensions is also provided in the SET command. an expansion of the FOR command to support parsing files and arbitrary sets in addition to filenames. use of arrow keys to scroll through command history (provided by DOSKey in COMMAND.COM) off-by-default path completion capabilities similar to bash tab completion a directory stack accessible with the PUSHD and POPD commands IF can perform case-insensitive comparisons and numeric equality and inequality comparisons in addition to case-sensitive string comparisons the ability to escape reserved characters by using the caret character (^) The extensions can be disabled, providing a stricter compatibility mode.
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wushu

The sport of wushu is both an exhibition and a full-contact sport derived from traditional Chinese martial arts.[1][2] It was created in the People's Republic of China after 1949, in an attempt to nationalize the practice of traditional Chinese martial arts.[3] Most of the modern competition forms (套路 taolu) were formed from their parent arts (see list below) by government-appointed committees.[3] In contemporary times, wushu has become an international sport through the International Wushu Federation (IWUF), which holds the World Wushu Championships every two years; the first World Championships were held in 1991 in Beijing and won by Yuan Wen Qing.[4] Competitive wushu is composed of two disciplines: taolu (套路; forms) and sanda (散打; sparring)[5] Taolu involve martial art patterns and maneuvers for which competitors are judged and given points according to specific rules. The forms comprise basic movements (stances, kicks, punches, balances, jumps, sweeps and throws) based on aggregate categories traditional Chinese martial art style and can be changed for competitions to highlight one's strengths. Competitive forms have time limits that can range from 1 minute, 20 seconds for some external styles to over five minutes for internal styles. Modern wushu competitors are increasingly training in aerial techniques such as 540 and 720 degree jumps and kicks to add more difficulty and style to their forms.[6] Sanda (sometimes called sanshou or Lei tai) is a modern fighting method and sport influenced by traditional Chinese boxing, Chinese wrestling methods called Shuai jiao and other Chinese grappling techniques such as Chin Na. It has all the combat aspects of wushu. Sanda appears much like Kickboxing or Muay Thai, but includes many more grappling techniques. Sanda fighting competitions are often held alongside taolu or form competitions. History In 1958, the government established the All-China Wushu Association as an umbrella organization to regulate martial arts training. The Chinese State Commission for Physical Culture and Sports took the lead in creating standardized forms for most of the major arts. During this period, a national Wushu system that included standard forms, teaching curriculum, and instructor grading was established. Wushu was introduced at both the high school and university level. In 1979, the State Commission for Physical Culture and Sports created a special task force to teaching and practice of Wushu. Wushu literally means "martial methods". In 1986, the Chinese National Research Institute of Wushu was established as the central authority for the research and administration of Wushu activities in the People's Republic of China.[7] Changing government policies and Master Yanlong Li attitudes towards sports in general lead to the closing of the State Sports Commission (the central sports authority) in 1998. This closure is viewed as an attempt to partially de-politicize organized sports and move Chinese sport policies towards a more market-driven approach.[8] As a result of these changing sociological factors within China, both traditional styles and modern Wushu approaches are being promoted by the Chinese government. Events These events are performed using compulsory or individual routines in competition. Compulsory routines are those routines that have been already created for the athlete, resulting in each athlete performing basically the same set. Individual routines are routines that an athlete creates with the aid of his/her coach, while following certain rules for difficulty. In addition to events for individual routines, some wushu competitions also feature dual and group events. The dual event, also called duilian (对练), is an event in which there is some form of sparring with weapons, or without weapons or even using bare hands against weapons. The dual event is usually spectacular and actions are choreographed beforehand. The group event, also known as jiti (集体), requires a group of people to perform together and smooth synchronization of actions are crucial. Usually, the group event also allows instrumental music to accompany the choreography during the performance. The carpet used for the group event is also larger than the one used for individual routines. Previously, international wushu competitions most often used compulsory routines, while high-level competitions in China most often used individual routines. However, after the 2003 Wushu World Games in Macau it was decided to opt for individual routines in international competition with nandu (难度; difficulty movements) integrating a maximum 2 point nandu score into the overall maximum score of 10. There is some controversy concerning the inclusion of nandu in wushu because many of the movements created for the specific events are not originally movements used in those styles. In addition the number of injuries which have resulted from the inclusion of these nandu have caused many people to question their inclusion. Those who support the new difficulty requirements follow the assertion that they help to progress the sport and improve the overall physical quality of the athletes. [edit] Main events Changquan refers to long-range extended wushu styles like Chaquan (查拳), Huaquan (華拳), Hongquan (洪拳; "flood fist"), and Shaolinquan (少林拳), but this wushu form is a modernized style derived from movements of these and other traditional styles. Changquan is the most widely-seen of the wushu forms, and includes speed, power,accuracy, and flexibility. Changquan is difficult to perform, requiring great flexibility and athleticism, and is often practiced from a young age. Nanquan refers to wushu styles originating in south China (i.e., south of the Yangtze River, including Hongjiaquan (Hung Gar) (洪家拳), Cailifoquan (Choy Li Fut) (蔡李佛拳), and Yongchunquan (Wing Chun) (詠春拳). Many are known for vigorous, athletic movements with very stable, low stances and intricate hand movements. This wushu form is a modern style derived from movements of these and other traditional southern styles. Nanquan typically requires less flexibility and has fewer acrobatics than Changquan, but it also requires greater leg stability and power generation through leg and hip coordination. This event was created in 1960. Taijiquan (T'ai chi ch'uan) is a wushu style famous for slow, relaxed movements, often seen as an exercise method for the elderly, and sometimes known as "T'ai chi" in Western countries to those otherwise unfamiliar with wushu. This wushu form is a modern recompilation based on the Yang (楊) style of Taijiquan, but also including movements of the Chen (陳), Wu (吳), Wu (武), and Sun (孫) styles. Dao refers to any curved, one-sided sword/blade, but this wushu form is a Changquan method of using a medium-sized willow-leaf-shaped dao (柳葉刀). Jian refers to any double-edged straight sword/blade, but this wushu form is a Changquan method of using the jian. Gun refers to a long staff (shaped from white wax wood) as tall as the wrist of a person standing with his/her arms stretched upwards, but this wushu form is a Changquan method of using the white wax wood staff. Qiang refers to a flexible spear with red horse hair attached to the spearhead, but this wushu form is a Changquan method of using the qiang. Taijijian is an event using the jian based on traditional Taijiquan jian methods. Nandao is a weapon that appears to be based on the butterfly swords of Yongchunquan, but has been lengthened and changed so that only one is used (as opposed to a pair). This event is a Nanquan method, and was created in 1992. Nangun is a Nanquan method of using the staff. This event was created in 1992.
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Minggu, 11 Desember 2011

Keris

The kris or keris is an asymmetrical dagger or sword nowadays most strongly associated with the culture of Indonesia, but also indigenous to Malaysia, Southern Thailand and Brunei. It is known as kalis in the southern Philippines. The kris is famous for its distinctive wavy blade (luk), but many have straight blades as well. The numbers of luks is always odd numbered,[1] ranged from three to thirteen waves, however there is also luks that reach 29.[2] Kris can be divided into three parts: bilah (blade), hulu (hilt), and warangka (sheath). These parts of kris are the object of art, often carved in meticulous details and made from various materials; metal, precious rare types of wood to gold or ivory. A kris' aesthetic value covers the dhapur (the form and design of the blade, with around 150 variants), the pamor (the pattern of metal alloy decoration on the blade, with around 60 variants), and tangguh referring to the age and origin of a kris.[3] Both a weapon and spiritual object, kris are often considered to have an essence or presence, often considered to possess magical powers, with some blades possessing good luck and others possessing bad.[3] Krises are used for display, as talismans with magical powers, weapons, sanctified heirloom (pusaka), auxiliary equipment for court soldiers, as an accessory for ceremonial dress, an indicator of social status, a symbol of heroism, etc.[3] Legendary krisses that possess supernatural power and extraordinary ability were mentioned in traditional folktales, such as the krisses of Mpu Gandring, Taming Sari, and Setan Kober. It is believed that the earliest kris prototype can be traced to Dong Son bronze culture in Vietnam circa 300 BC that spread to other parts of Southeast Asia. Another theory is that the kris was based on daggers from India.[4] Some of the most famous renderings of a kris appear on the bas-reliefs of Borobudur (825 CE) and Prambanan temple (850CE). However from Raffles' (1817) study of the Candi Sukuh that the kris recognized today came into existence around 1361 AD in the kingdom of Majapahit, East Java. In 2005, UNESCO gave the title Masterpiece of the Oral and Intangible Heritage of Humanity to the kris of Indonesia. In return, UNESCO urged Indonesia to preserve their heritage. Etymology The origin of the word kris derived from the old Javanese term ngiris which means to stab, wedge or sliver. "Kris" is the more frequently-used spelling in the West, but "keris" is more popular in the dagger's native lands,[5] as exemplified by the late Bambang Harsrinuksmo's popular book entitled Ensiklopedi Keris (Keris Encyclopedia). Two notable exceptions are the Philippines, where it is usually called kalis or kris, and Thailand where it is always spelled and pronounced as kris. Other spellings used by European colonists include "cryse", "crise", "criss", "kriss" and "creese". [edit] History [edit] Origins Kris depicted on Borobudur bas-relief. Kris history is generally traced through the study of carvings and bas-relief panels found in Southeast Asia. It is widely believed by archaeologists that the earliest kris prototype can be traced to Dong Son in Vietnam circa 300 BC. From there, the design would have been brought into present-day Malaysia by Cham migrants who made their way into the Malay Peninsula twenty centuries ago. Another theory is that the kris was based on daggers from India.[4] Frey (2003) concludes from Raffles' (1817) study of the Candi Sukuh that the kris recognized today came into existence around 1361 AD in the kingdom of Majapahit in Java. The scene in bas relief of Sukuh Temple in Central Java dated from 15th century Majapahit era, shows the workshop of a Javanese keris blacksmith. The scene depicted Bhima as the blacksmith on the left forging the metal, Ganesha in the center, and Arjuna on the right operating the piston bellows to blow air into the furnace. The wall behind the blacksmith displays various items manufactured in the forge, including kris. These representations of the kris in Candi Sukuh established the fact that by the year 1437 the kris had already gained an important place within Javanese culture. There exist claims of earlier forms predating the Majapahit kris but none are verifiable. In the past, the majority of kris had straight blades but this became less frequent over time. Some of the most famous renderings of a kris appear on the Borobudur temple (825 CE) and Prambanan temple (850CE). Tome Pires, in early 16th century, describe the importance of Kris to the Javanese: [6] ... every man in Java, whether he is rich or poor, must have a kris in his house .. and no man between the ages of 12 and 80 may go out of doors without a kris in his belt. They carry them at the back, as daggers used to be in Portugal... — Tome Pires, Suma Oriental Kris blacksmith's workshop depicted in 15th century Candi Sukuh. Kris display Kris were worn on a daily basis, especially when travelling because it might be needed for self-defense against wild animals or bandits. During wartime it is the weapon of choice together with kris-edged spear (tombak). During time of peace, people wore kris as part of ceremonial attire. Ceremonial kris oftern meticulously decorated with intricate carving in gold and precious stones. Heirloom blades were handed down through successive generations and worn during special events such as weddings and other ceremonies. Men usually wore only one kris but the famous admiral Hang Tuah is said in the Hikayat Hang Tuah to have armed himself with one short and one long kris. As women were also permitted to learn silat, they sometimes also wore kris, though of a smaller size than a man's. In battle, a fighter might carried more than one kris, some carried three kris: his own, one from his father-in-law, and one as a family heirloom. The extra two served as parrying daggers but if none were available, the sheath would serve the same purpose. Kris were often broken in battle and required repairs. Yearly cleanings, required as part of the spirituality and mythology surrounding the weapon, often left ancient blades worn and thin. The repair materials depended on location and it is quite usual to find a weapon with fittings from several areas. For example, a kris may have a blade from Java, a hilt from Bali and a sheath from Madura. In many parts of Indonesia, the kris was the choice weapon for execution. The executioner's kris had a long, straight, slender blade. The condemned knelt before the executioner, who placed a wad of cotton or similar material on the subject's shoulder or clavicle area. The blade was thrust through the padding, piercing the subclavian artery and the heart. Upon withdrawal, the cotton wiped the blade clean. Death came within seconds. In 16th century, European colonial power introduced firearms into the archipelago that contribute to the decline of kris' prominence as the weapon of choice in battle. However its spiritual and ceremonial function still continued and celebrated mainly in kratons and istanas (courts) throughout Indonesia and Malaysia. [edit] Kris today Until the 1990s, kris-making activities in Java had almost come to a standstill due to economic difficulties and changing socio-cultural values. However, thanks to several concerned kris experts, the tradition is being revived and kris craftsmanship has increased again. Over the past three decades, krises have lost their prominent social and spiritual meaning in society. Although active and honoured empus who produce high quality krises in the traditional way can still be found on many islands, their number is dramatically decreasing, and it is more difficult for them to find successors to whom they may transmit their skills.[3] [edit] Description A kris' aesthetic value covers the dhapur (the form and design of the blade, with around 150 variants), the pamor (the pattern of metal alloy decoration on the blade, with around 60 variants), and tangguh referring to the age and origin of a kris.[3] [edit] Blade A decorative kris with a figure of Semar as the handle. The bilah has thirteen luk. Kris blade is called wilah or bilah. Kris blades are usually narrow with a wide, asymmetrical base. Kris is famous for its wavy blades (luk), however the older types of kris dated from Majapahit era are straight blades ones.[7] The numbers of luks is always odd numbered,[1] the common numbers of luks ranged from three to thirteen waves, however there is also luks that reach 29.[2] Today the wavy blade kris is more commonly found than the straight ones. The exact purpose of wavy blade is unknown. It was suggested that wavy blade is symbolize both fire and water, the two elements present during the forging of metal blade. In Bali kris is associated with Nāga (dragon serpent) which also symbolyze irrigation canals, rivers, springs, wells, spouts, waterfalls and rainbows, thus the wavy blade symbolyze the movement of the serpent. Some keris have a naga or serpent head carved near its base with the body and tail following the curves of the blade to the tip. A wavy kris is a naga in motion, aggressive and alive; a straight blade is one at rest, its power dormant but ready to come into action.[8] Another theory suggested that the wavy blade design was meant to inflict severe wound upon victim. During keris stabbing, the wavy blades severes more blood vessels, creating wider wound which caused the victim to easily bleed to death. However in older Javanese tradition it is also common to apply various types of poisons upon keris blade, which can inflict more potent mortality upon battle. Different types of whetstones, acidic juice of citrus fruits and poisonous arsenic bring out the contrast between the dark black iron and the light colored silvery nickel layers which together form pamor, damascene patterns on the blade. The distinctive pamor patterns has specific meanings and names which indicate their special magical property. [edit] Hilt Richly decorated Balinese kris hilt coated with gold, adorned with rubies Kris handle or hilt (hulu keris) is the object of art, often carved in meticulous details and made from various materials; precious rare types of wood to gold or ivory. In Bali kris handle is carved in demon-like creature coated in gold and adorned with semi precious and precious stones, such as rubies. In Java kris handle is made in various type, the most common design is the abstract stylized representation of human. The example of kris hilt styles such as Tunggak Semi Putri Kinurung hilt from Surakarta, Hulu keris Batara Guru and Pulasir from Madura, hulu keris Punukan from Palembang, Ratmaja from Bali, hulu keris Pulungan from Cirebon, and seabird-like hilt from Lampung and Sulawesi.[9] The kris usually has a curved pistol-grip hilt that aids in stabbing strikes. It allows the palm of the holding hand to add pressure to the blade while stabbing. A kris only offers minimal protection for the hand by the broad blade at the hilt. In rare cases, the blade may be forged so its axis lies at an angle to the hilt's axis. The intention is to get the blade automatically turning to slip past the ribs but this works poorly and makes the weapon less durable.[citation needed] [edit] Sheath Just like kris hilt, its sheath (warangka) is also the object of art. It can be made from various materials, usually wooden frame to hold the blade which can be coated with metals; such as brass, iron, silver, or even gold, usually carved in sulur floral motifs. The upper part of sheath formed a broad curved handle made from wood or sometimes ivory. It could be adorned with precious or semi-precious stones. [edit] Kris making The making of a kris was the specialised duty of metalworkers called empu or pandai besi. In Bali this occupation was preserved by the Pande clan to this day, members of whom also made jewellery. A blade smith, or empu, makes the blade in layers of different iron ores and meteorite nickel. Some blades can be made in a relatively short time, while more legendary weapons take years to complete. In high quality kris blades, the metal is folded dozens or hundreds of times and handled with the utmost precision. Empu are highly respected craftsmen with additional knowledge in literature, history, the occult, etc.[3] [edit] Cultural beliefs Various ways on wearing kris in Javanese culture. Barong dance performance with kris-wielding dancers and Rangda in Bali Krises were worn at special ceremonies, with heirloom blades being handed down through successive generations. Both men and women might wear them, though those for women are smaller. A rich spirituality and mythology developed around the weapon. Krises are used for display, as talismans with magical powers, weapons, sanctified heirloom, auxiliary equipment for court soldiers, as an accessory for ceremonial dress, an indicator of social status, a symbol of heroism, etc.[3] In Javanese culture kris is revered as tosan aji (Javanese for "sacred heirloom weapon") and considered as pusaka. Kris is believed to have ability to infused bravery upon its holder, this property is known as piyandel in Javanese which means "to add self-confidence". The pusaka kris or kris-tipped spear given by a Javanese king to nobles or his subjects, was meant to symbolize the king's confidence bestowed upon the receiver and considered as a great honor. During Javanese wedding ceremony, kris is required to be adorned with chains of jasmine flower arrangement as an important part of Javanese groom's wedding costume. The addition of jasmine arrangement around the kris was meant as a symbol that a man should not easily be angry, cruel, fierce, too aggressive, tyrannical and abusive.[2] Kris-makers did more than forge the weapon, they carried out the old rituals which could infuse the blade with mystical powers. For this reason, kris are considered almost alive because they may be vessels of spirits, either good or evil. Legends tell of kris that could move of their own volition and killed individuals at will. Some kris are rumored to stand upright when their real names are called by their masters. It was said that some kris helped prevent fires, death, agricultural failure, and many other problems. Likewise, they could also bring fortune, such as bountiful harvests. Many of these beliefs, however, were erroneously derived from the possession of different kris by different people. For example, there is a type of kris in Java that was called Beras Wutah, which was believed to grant its possessor an easy life without famine. In reality, this kris was mainly assigned to government officers that were paid, in whole or in part with foodstuff such as rice. There are several ways of testing whether a kris is lucky or not. A series of cuts on a leaf, based on blade width and other factors, could determine if a blade was good or bad. Also, if the owner slept with the blade under their pillow, the spirit of the kris would communicate with the owner via dream. If the owner had a bad dream, the blade was unlucky and had to be discarded, whereas if the owner had a good dream the dagger would bring good fortune. However, just because a blade was bad for one person didn't mean it would be bad for another. Harmony between the weapon and its owner was critical. Because some kris are considered sacred and believed to possess magical powers, specific rites needed to be completed to avoid calling down evil fates which is the reason warriors often made offerings to their kris at a shrine. There is also the belief that pointing a kris at someone means they will die soon, so silat practitioners precede their demonstrations by touching the points of the blades to the ground so as to neutralise this effect. [edit] Legends Several folktales — linked to historical figures — were mentioning about the legendary krises that possess supernatural power and extraordinary ability. Most of the magical krises are from Javanese origin, while the tales are derived from Javanese ancient manuscript, Babad (Javanese chronicle) and Malay Annals. [edit] Keris Mpu Gandring One of the most famous legends from Java derived from Pararaton (The Book of Kings), describes a legendary bladesmith called Mpu Gandring and his impatient customer, Ken Arok, that took place during the end of Kediri kingdom. The customer ordered a powerful kris to kill the mighty chieftain of Tumapel, Tunggul Ametung. Ken Arok eventually stabbed the old bladesmith to death because he kept delaying the scheduled completion of the kris. Dying, the bladesmith cursed the kris through prophesied that the unfinished or incomplete kris would kill seven men, including Ken Arok. Ken Arok uses the Mpu Gandring's cursed kris to assassin Tunggul Ametung, cunningly put the blame to Kebo Ijo, and build a new kingdom of Singhasari. The prophecy finally came true, with four men enlisted as the kris' first death roll, including Mpu Gandring himself, Tunggul Ametung, Kebo Ijo to whom Ken Arok lent the weapon, and finally Ken Arok himself. The unfinished kris then disappeared.[10][11] Another version of the tale describes that the kris passed to Ken Arok's stepson Anusapati which in turn killed his stepfather after recognized that his genuine father was killed by Ken Arok with the same kris. The bloody revenge continued on and on until the reign of Kertanegara, the last king of Singhasari kingdom. [edit] Keris Taming Sari The Keris Taming Sari (translation: Flower Shield Kris) (Taming Sari's kris) is one of the most well-known kris in Malay literature, said to be so skilfully crafted that anyone wielding it was unbeatable. In some versions of the legend, the weapon would grant its user physical invulnerability. The legend took place sometimes during the fall of Majapahit Empire and the rise of Malacca Sultanate. Tun Sri Lanang's book, the Sejarah Melayu, tells that it was first used by the champion of Majapahit, a pendekar named Taming Sari. He was defeated in a duel to the death by the Melakan admiral Hang Tuah, after which the king of Majapahit presented the weapon to the victor.[1] After being framed by a jealous official, Hang Tuah was ordered to be executed, but he managed to escape and go into hiding with the help of a minister who knew the truth. Hang Tuah's kris and title of Laksamana (admiral) were passed on to his comrade Hang Jebat. Furious that his best friend was unfairly put to death, Hang Jebat rebelled against the royalty and took over the palace. The desperate ruler of Melaka pardoned the minister so long as Hang Tuah could win him back the throne. Having trained under the same master since childhood the two friends were nearly equals but of the two, Tuah was the superior fighter. However, even after a long battle in the palace, neither could best the other because the Kris Taming Sari evened the odds. Only after taking his weapon back did Hang Tuah manage to stab Jebat, who died soon after. [edit] Keris Setan Kober Another Javanese folk story tells of Arya Penangsang, the mighty Adipati of Jipang who was killed by his own kris called Keris Setan Kober (Javanese for: Devil of the Grave Kris). This kris is a powerful one with 13 luks and tangguh Pajajaran (created in kingdom of Pajajaran) by Mpu Bayu Aji, a skillful bladesmith. Near the finish when the Mpu tried to infuse spiritual power into the kris, he was disturbed by the crying demon (jinn) of the graveyard. As a result, although powerful, the kris is defective. Since Mpu Bayu Aji is so ambitious to create a powerful weapon, plus the disturbance from the devil, the kris has a temperamental evil nature that causes the wielder to be overly ambitious and impatient. The story took place during the fall of Demak Sultanate that had replaced Majapahit as the ruler of Java. The Keris Setan Kober were safely kept by Sunan Kudus, one of nine Islamic saints of Java. However Sunan Prawoto, son of Prince Trenggana and grandson of Raden Patah, stole it and used it to assassinate his uncle Raden Kikin by the river, since then Raden Kikin also refer as Sekar Seda Lepen (flower that fell by the river). Raden Trenggana rise as Sultan and later after his death, replaced by Sunan Prawoto. Kikin's son, Arya Penangsang of Jipang with the help of his teacher, Sunan Kudus, took revenge by sending an assassin to kill Prawoto using Keris Setan Kober. Prawoto younger sister Ratu Kalinyamat seeks revenge on Penangsang, since Penangsang also murdered her husband. She urged her brother in-law, Hadiwijaya (Joko Tingkir) the ruler of Pajang, to kill Arya Penangsang. Hadiwijaya sent his adopted son and also his son in-law Sutawijaya, who would later become the first ruler of the Mataram dynasty. During a battle, Sutawijaya stabbed Penangsang with Kyai Plered spear right in his gut. Arya Penangsang is bathing in his own blood, and his intestines were hanging from his gut. However because Arya Penangsang is a mighty fighter that possess aji or kesaktian (spiritual power in martial art), he keep fighting with an open wounded stomach. He encircled his hanging intestines on his kris hilt, and continue to fight. When trying to attack his opponent, the reckless, fierce and impatience Panangsang pulled his own Keris Setan Kober off its sheath, foolishly cut his own intestines, and finally died. The Javanese tradition of putting jasmine garlands chain around the kris' hilt, especially on groom's kris during the wedding ceremony, are actually derived from this tale. It is to symbolyze that the groom should not be reckless, easily get angry, impatient and abusive like Arya Panangsang.[2] To replace the intestine, the kris is coiled with a floral garland of jasmine chain that resemble intestine. The jasmine is to symbolize sacredeness, patience, grace, humility, kindness and benevolence, the qualities lack in Panangsang. However another source mentioned that actually Sutawijaya admired Penangsang's fighting spirits, still fighting although his intestine encircled around his kris. Impressed by Penangsang's deed, later he command his male descendants to follow his step, adorned the kris with "intestine" made from the chain of jasmine, as a symbol of bravery. The story of Arya Penangsang has inspired and performed as Javanese ketoprak drama.[12] [edit] Kris as a symbol Hishammuddin Hussein's infamous waving of the kris as a symbol of Malay supremacy at the 2005 United Malays National Organisation Annual General Meeting Throughout the archipelago, kris is a symbol of heroism,[3] martial prowess, power and authority. As a cultural symbol, the meticulously decorated keris represent refinement, art and beauty, as the pride and prized possession for its owner;[2] however, as a weapon it is associated with violence, death and bloodshed. Probably for this reason, although the kris is widespread in Javanese culture, it is not used to symbolise Javanese culture or royalty, as Javanese tradition promotes harmony and discourages direct confrontation (hence the absence of knives on Indonesian dinner tables). This is also why the Javanese traditionally wear the kris on their back, to symbolize violence as the last resort. However, in other parts of archipelago, from Sumatra to the Malay Peninsula and to Sulawesi, the kris is worn on the front or left side on the hip. The kris is depicted on different emblems, coats and logos. For example, it can be seen in historical flag of Mataram Sultanate and former emblem of Siam to represent Malay minority in Southern Thailand. Kris is displayed in emblems of Riau, Riau Islands Province, Terengganu and Selangor. It also can be seen on an obverse copper-zinc-tin RM1 coin with a songket pattern in the background. The Malaya and British Borneo dollar 1 cent coin of 1962 also depicted a pair of crossed kris. Since the independence of Malaysia, the kris has become something of a symbol of Malay nationalism. It is still regarded by some as a symbol of ketuanan Melayu, the doctrine of Malay as the dominant race at their homeland, and has been incorporated into the Sang Saka Bangsa, the official flag of the United Malays National Organisation.
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blangkon

A blangkon or belangkon (Indonesian) is a traditional Javanese headdress worn by men and made of batik fabric. There are 4 different types of blangkons according to their shapes and origins: Ngayogyakarta blangkons, Surakarta blangkons, Kedu blangkons, and Banyumasan blangkons. History In ancient Javanese society, blangkons are believed to originate from the legendary story of Aji Saka. In the story, Aji Saka defeated Dewata Cengkar, a giant who owns the land of Java, by spreading a giant piece of headdress that could cover the entire land of Java. Aji Saka was also believed to be the founder of the Javanese calendar. There are theories stating that the use of blangkon is the influence of Hindu and Islamic culture absorbed by the Javanese. The first Muslims who entered Java are people from mainland China and Gujarati traders. Blangkons are believed to derive from turbans worn by Gujarati traders.
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Sabtu, 03 Desember 2011

Reiki

Reiki (霊気?, English pronunciation: /ˈreɪkiː/) is a spiritual practice[1] developed in 1922 by Japanese Buddhist Mikao Usui. The teaching was continued and adapted by various teachers. It uses a technique commonly called palm healing as a form of complementary and alternative medicine and is sometimes classified as oriental medicine by some professional bodies.[2] Through the use of this technique, practitioners believe that they are transferring universal energy (reiki) in the form of ki through the palms that allows for self-healing and a state of equilibrium.[3] There are two main branches of Reiki, commonly referred to as Traditional Japanese Reiki and Western Reiki. The primary difference between branches is that the Westernized form uses systematized gestures rather than relying on an intuitive sense for proper hand patterns. Both branches have a three-tiered hierarchy of degrees - commonly called First, Second, and Master/Teacher - which are associated with different skills and abilities. The concept of ki underlying Reiki is speculative and there is no scientific evidence that it exists. A 2008 systematic review of randomised clinical trials concluded that "the evidence is insufficient to suggest that reiki is an effective treatment for any condition. Therefore the value of reiki remains unproven."[4] The American Cancer Society[5] and the National Center for Complementary and Alternative Medicine[6] have also found that there is no clinical or scientific evidence supporting claims that Reiki is effective in the treatment of any illness. History [edit] Derivation of name Mikao Usui 臼井甕男 (1865–1926) Chujiro Hayashi 林 忠次郎 (1880 - 1940) The English word reiki derives from the Japanese loanword reiki (霊気, meaning "mysterious atmosphere"), which derives from the Chinese loanword língqì (靈氣, "supernatural influence"). Its earliest recorded usage in English dates to 1975.[7] Instead of the usual transliteration, some English-language authors pseudo-translate reiki as "universal life energy".[8] Reiki is commonly written as 霊気 in shinjitai kanji or as レイキ in katakana syllabary. It compounds the words rei (霊: "spirit, miraculous, divine") and ki (気 "gas, vital energy, breath of life, consciousness").[9] The ki (better known as Chinese qi or ch'i) in reiki is understood as meaning "spiritual energy; vital energy; life force; energy of life".[10] Some reiki translation equivalents from Japanese-English dictionaries are: "feeling of mystery",[11] "an atmosphere (feeling) of mystery",[12] and "an ethereal atmosphere (that prevails in the sacred precincts of a shrine); (feel, sense) a spiritual (divine) presence."[13] Besides the usual Sino-Japanese pronunciation reiki, these kanji 霊気 have an alternate Japanese reading, namely ryōge, meaning "demon; ghost" (especially in spirit possession).[14] Chinese língqì 靈氣 was first recorded in the (ca. 320 BCE) Neiye "Inward Training" section of the Guanzi, describing early Daoist meditation techniques. "That mysterious vital energy within the mind: One moment it arrives, the next it departs. So fine, there is nothing within it; so vast, there is nothing outside it. We lose it because of the harm caused by mental agitation."[15] Standard Chinese língqì is translated by Chinese-English dictionaries as: "(of beautiful mountains) spiritual influence or atmosphere";[16] "1. intelligence; power of understanding; 2. supernatural power or force in fairy tales; miraculous power or force";[17] and "1. spiritual influence (of mountains/etc.); 2. ingeniousness; cleverness".[18] [edit] Origins See also Five Precepts and Timeline of Reiki history The system of Reiki was developed by Mikao Usui (臼井甕男) in 1922 whilst performing Isyu Guo, a twenty-one day Buddhist training course held on Mount Kurama.[19] It is not known for certain what Usui was required to do during this training, though it most likely involved meditation, fasting, chanting, and prayer.[20][21] It is claimed that by a mystical revelation, Usui had gained the knowledge and spiritual power to apply and attune others to what he called Reiki, which entered his body through his crown Chakra.[20] In April 1922, Usui moved to Tokyo and founded the Usui Reiki Ryōhō Gakkai ("臼井靈氣療法學會" in Traditional Mandarin, meaning Usui's Spiritual Energy Therapy Method Society) in order to continue treating people on a large scale with Reiki.[20][22] According to the inscription on his memorial stone,[23] Usui taught his system of Reiki to over 2000 people during his lifetime, and sixteen of these students continued their training to reach the Shinpiden level, a level equivalent to the Western third, or Master/Teacher, degree.[23][24] While teaching Reiki in Fukuyama (福山市, Fukuyama-shi), Usui suffered a stroke and died on 9 March 1926.[23] [edit] Early development After Usui's death, Mr. J. Ushida, a student of Usui, took over as president of the Gakkai.[25] He was also responsible for creating and erecting Usui's memorial stone and for ensuring the maintenance of the grave site.[25] Mr. Ushida was followed by Mr. Iichi Taketomi, Mr. Yoshiharu Watanabe, Mr. Kimiko Koyama and the current successor to Usui, Mr. Kondo, who became president in 1998.[25] The sixteen Masters initiated by Usui include Toshihiro Eguchi, Jusaburo Guida, Ilichi Taketomi, Toyoichi Wanami, Yoshihiru Watanabe, Keizo Ogawa, J. Ushida, and Chujiro Hayashi.[25][26] Before Usui's death, Chujiro Hayashi (林 忠次郎 Hayashi Chūjirō) approached Usui about developing a different form of Reiki that was much simpler. Usui agreed.[27] After Usui's death, Hayashi left the Usui Reiki Ryōhō Gakkai and formed his own clinic where he gave Reiki treatments, taught, and attuned people to Reiki, and it was to this clinic that Hawayo Takata was directed in the 1930s.[25] Hayashi simplified the Reiki teachings, stressing physical healing and using a more codified and simpler set of Reiki techniques.[28] After multiple Reiki sessions from Hayashi's trainees at his clinic for illnesses including abdominal pain and asthma, Hayashi initiated and trained Takata to use Reiki,[29][30] and she became a Reiki Master on 21 February 1938.[29][31] Takata established several Reiki clinics throughout Hawaii, one of which was located in Hilo,[29] and then went on to travel throughout the United States, practising Reiki and teaching the first two levels to others,[32] and it was not until 1970 that Takata began initiating Reiki Masters.[33] At this stage, Takata also introduced the term Reiki Master for the Shinpiden level.[34] She stressed the importance of charging money for Reiki treatments and teachings, and fixed a price of $10,000 (roughly £6,500 or €7,400) for the Master training.[33] Takata died on 11 December 1980,[33][35] by which time she had trained 22 Reiki masters,[36][37] and almost all Reiki taught outside Japan can be attributed to her work.[38] [edit] Five Principles Usui was an admirer of the literary works of the Emperor Meiji (明治天皇 Meiji tennō). While in the process of developing his Reiki system, Usui summarised some of the emperor's works into a set of ethical principles, which later became known as the Five Reiki Precepts (五戒 Gokai, meaning "The Five Commandments," from the Buddhist teachings of being prohibited against killing, thievery, sexual misconduct, lying, and for intemperance). It is common for many Reiki teachers and practitioners to abide by these five precepts, or principles.[39] Kanji 招福の秘法, 萬病の霊薬. 今日丈けは: 怒るな, 心配すな, 感謝して, 業をはけめ, 人に親切に. 朝夕合掌して心に念じ, 口に唱へよ. 心身改善. 臼井霊氣療法. 肇祖, 臼井甕男. Rōmaji Shōfuku no hihō, Manbyō no reiyaku. Kyō dake wa: Okoru na, Shinpai su na, Kansha shite, Gyō wo hakeme, Hito ni shinsetsu ni. Asayū gasshō shite kokoro ni nenji, Kuchi ni tonae yo. Shinshin kaizen. Usui Reiki Ryōhō. Chōso, Usui Mikao. The five concepts of Mikao Usui, contained within the whole text (Japanese writing is read from top to bottom, moving from right to left). Note: Commonly called the Five Precepts or Five Principles, they start in the third column from the right below the space, and continue in the fourth and fifth columns from the right. English The secret art of inviting happiness, The miraculous medicine for all diseases. At least for today: Do not be angry, Do not worry, Be grateful, Work with diligence, Be kind to people. Every morning and evening, join your hands in meditation and pray with your heart. State in your mind and chant with your mouth. For improvement of mind and body. Usui Reiki Ryōhō. The founder, Mikao Usui. [edit] Traditions Today many branches of Reiki exist, though there exist two major traditions, respectively called Traditional Japanese Reiki and Western Reiki. [edit] Traditional Japanese Reiki Reiki written in Shinjitai Japanese. The term Traditional Japanese Reiki is normally used to describe the specific system that formed from Usui's original teachings[40] and the teachings that did not leave Japan. During the 1990s, Western teachers travelled to Japan in order to find this particular tradition of Reiki, though found nothing. They therefore started to establish Reiki schools, and started to teach Reiki levels 1 and 2 to the Japanese. Around 1993, a German Reiki Master, Frank Arjava Petter, also started to teach to the Master/Teacher level, and as a result, the Japanese started teaching their knowledge of Traditional Reiki. Since then, several traditions of Traditional Japanese Reiki have been established, the main traditions of which are listed below.[41] Usui Reiki Ryōhō Gakkai (臼井靈氣療法學會 in Traditional Chinese Characters, meaning "Usui Reiki Healing Method Learning Society")[42] is the name of the society of Reiki masters founded by Mikao Usui. His style is assumed to have survived to the present day (assumed as no-one knows exactly how the Gakkai practises nowadays), with Ushida being the one who, upon death, substituted the presidency of the association. This society remained secret for many years and at present, the shihan (master), Masaki Kondoh, is the president of the Gakkai. Though many of their teachings still remain secret, little by little, members of this association - such as Master Hiroshi Doi - have been sharing their knowledge with the rest of the world. In spite of this, it continues to be a hermetic society, nearly impossible to access. Reidō Reiki Gakkai (靈道靈氣學會, meaning "Spiritual Occurrence [and] Spiritual Energy Society") is the name given to the system that derives from the masters of the Ryōhō Gakkai, and is led by Fuminori Aoki, who added to the teaching of the Gakkai, though differences in teaching are minimal. In this system, the Koriki (meaning "the force of happiness") symbol that inspired Fuminori Aoki has been adopted.[43][44] Kōmyō Reiki Kai (光明レイキ會, meaning "Enlightened Spiritual Energy Meeting (Association)") is the name given to the system that takes the name of a school of Japanese Traditional Reiki, and was established by Hyakuten Inamoto (稲本 百天), a Reiki teacher with Western Reiki background. It differs from other systems in that it does not originate with the Gakkai, but instead comes from the Hayashi line, through Chiyoko Yamaguchi (山口 千代子) that remained in Japan. Jikiden Reiki (直傳靈氣, meaning "The Direct Teaching [of] Spiritual Energy") is the name given to the original system that was taught by Dr. Hayashi, and was founded by Mrs. Yamaguchi and her son, Tadao Yamaguchi (山口 忠夫).[45] The Japanese Reiki hand positions presented in the Usui Reiki Ryōhō Hikkei (臼井靈氣療法必携, Usui Reiki Treatment Handbook) as used and compiled by Usui are considerably more extensive than the hand positions used in Western Reiki.[46] [edit] Western Reiki Western Reiki (西洋レイキ, Seiyō reiki) is a system that can be accredited to Hawayo Takata.[47] The principal difference between the traditions is the use of set hand patterns for internal treatments instead of Reiji-hō, the intuitive skill of "knowing where to place the hands."[41] This style of Reiki places more emphasis on the healing of ailments, and ascension to higher levels of attunement is more formalised.[41] After being trained by Hayashi, Takata went back to Hawaii, taking Reiki with her. After setting up clinics there, Reiki then spread to the rest of the Western world. As a result of the second world war, Takata decided to modify the Traditional Japanese Reiki system in order to make it more understandable and credible to the mentality of the West. Usui Reiki Shiki Ryōhō (臼井靈氣式療法, commonly translated as meaning "Usui's Spiritual Energy Style of Therapy", but a more literal translation is "Usui's Spiritual Energy Style of Medical Treatment" (Ryōhō (療法) meaning medical treatment)) is the name given to the Western system of Reiki, and is a system that has tried to stay near enough the same as the original practises of Hawayo Takata. It is taught today by, for instance, the Reiki Alliance, led by Phyllis Lei Furumoto, Takata's granddaughter.[48] In this system, as with most Western systems of Reiki, there are three levels, respectively called the First Degree, Second Degree, and Master/Teacher Degree, which uses Takata's versions of the four original symbols passed to her by Hayashi. Usui Reiki Shiki Ryōhō is also the norm requested qualification (along with Reiki lineage) when seeking insurance to practise Reiki on the general public in the United Kingdom.[49] Usui/Tibetan Reiki is the name given to the system that was developed by Arthur Robertson and later popularised by William Lee Rand and Diane Stein.[50][51] This system is derived from Usui Reiki as taught by Takata and includes techniques from the Usui Reiki Ryōhō Gakkai, such as Byōsen-hō (病専法, Scanning Method), Gyōshi-hō (凝視法, Healing Eyes Method), and Kenyoku-hō (件抑制法, Dry Bathing Method). There have been a few additions to this system in comparison with Usui Shiki Ryōhō by Rand, such as a modified attunement method that incorporates the Violet Breath,[50] the use of the Tibetan Master and kundalini fire symbols along with the four traditional Usui symbols, the hui yin position (located in the perineum), and also the microcosmic orbit.[50] Along with introducing the above, Usui/Tibetan Reiki can sometimes incorporate psychic surgery. Unlike Usui Reiki Shiki Ryōhō, it has four levels, commonly called First Degree, Second Degree, Advanced Reiki Training (commonly 3A or ART), and Master/Teacher (commonly 3B).[50] Gendai Reiki Hō (現代靈氣法, meaning "Modern Spiritual Energy Method") is a system that incorporates elements of both Japanese and Western Reiki,[52] and was established by Hiroshi Doi.[52] Doi was first trained in Western Reiki by Mieko Mitsui, a Master of the "Radiance Technique."[53] In 1993, he was granted membership to Usui Reiki Ryōhō Gakkai.[53] [edit] Teachings Reiki teachings claim that Reiki is inexhaustible[54][55] and that it can be used to induce a healing effect.[56] Practitioners claim that anyone can gain access to this energy[57] by means of an attunement process[58] carried out by a Reiki Master.[59] Reiki is described by adherents as a holistic therapy which brings about healing on physical, mental, emotional and spiritual levels.[60] The belief is that the energy will flow through the practitioner's hands whenever the hands are placed on, or held near a potential recipient. Some teachings stress the importance of the practitioner's intention or presence in this process, while others claim that the energy is drawn by the recipient's injury to activate or enhance the natural healing processes.[61] Further to this notion, the belief is that the energy is "intelligent",[62] meaning that the Reiki knows where to heal, even if a practitioner's hands are not present in the specific area. [edit] Training The teaching of Reiki outside of Japan is commonly divided into three levels,[63] or degrees, the most common of which are described below. Traditional Japanese Reiki was taught intensively under Usui's guidance, with weekly meditation meetings where Reiki was given and used to scan the body in order to supply an energetic diagnosis,[64] which is known in Japanese as Byosen-hō, as a Japanese Reiki treatment is intuitive and specifically directed in comparison to a Western Reiki treatment, which tends to generally treat the whole body instead of specific areas. [edit] First degree The first degree Reiki course,[65] sometimes given the Japanese name of Shoden ("初伝" in Japanese, meaning "'Elementary/Entry Teachings"),[66] teaches the basic theories and procedures. A number of "attunements" are given to the student by the teacher.[67] Students learn hand placement positions on the recipient's body that are thought to be most conducive to the process in a whole body treatment.[68] Having completed the first degree course, a Reiki practitioner can then treat himself and others with Reiki. Course duration is dependent on the Reiki Master Teacher; some hold four sessions spread over a number of days, others hold two sessions over two days.[69] [edit] Second degree In the second degree Reiki course,[70] sometimes given the Japanese name of Okuden ("奥伝" in Japanese, meaning "Inner Teachings"),[71] the student learns the use of a number of symbols that are said to enhance the strength and distance over which Reiki can be exerted.[72] This involves the use of symbols to form a temporary connection between the practitioner and the recipient, regardless of location and time, and then to send the Reiki energy.[73][74] Another attunement is given, which is said to further increase the capacity for Reiki to flow through the student, as well as empowering the use of the symbols.[75] Having completed the second level, the student can work without being physically present with the recipient - a practise known as "distant healing".[76] Students in Japan sometimes only attained the Second Degree after a period of 10, sometimes 20, years of practice under Usui's tutorship, and the majority of student never attained the Third Degree.[77] [edit] Third degree Through the third degree, or "master training",[78] sometimes given the Japanese name of Shinpiden ("神秘伝" in Japanese, meaning "Mystery Teachings"),[79] the student becomes a Reiki Master. In Reiki terminology, the word "master" does not imply spiritual enlightenment, and is sometimes changed to "Master/Teacher" in order to avoid this confusion. According to the specific branch of Reiki, either one or more attunements can be carried out and the student learns a further symbol.[80] Having completed the master training, the new Reiki Master can attune other people to Reiki and teach the three degrees. The duration of the master training can be anything from a day to a year or more, depending on the school and philosophy of the Reiki Master giving the training. There are commonly two types of Master: Master Teacher and Master Practitioner; a Master Teacher is a Master of Reiki and also has the ability to teach Reiki (i.e., attune others), though a Master Practitioner is a Master of Reiki but does not teach Reiki. [edit] Variations There is much variation in training methods, speed of completion (i.e., attunement), and costs. Though there is no accreditation and central body for Reiki, nor any regulation of its practice, there exist organisations within the United Kingdom that seek to standardise Reiki and Reiki practises, such as the UK Reiki Federation[81] and the Reiki Council (UK).[82] Reiki courses are also available online, although traditionalists state that attunement must be done in person in order to take effect, as the Reiki Master/Teacher doing the attunement must be able to actually touch the energy field of the person being attuned. A distance Reiki attument is not always recognised by certain Reiki federations, such as with the UK Reiki Federation, who state, "[a]ll training must have been "in-person" or "face to face" (distant attunements are not accepted)."[83] Some traditionalists also hold the ideal that methods that teach Reiki "quickly" cannot yield as strong an effect, because there is no substitute for experience and patience when mastering Reiki. [edit] Practice The seven major chakras. A schematic diagram of the human body's meridians. In Western Reiki, it is taught that Reiki works in conjunction with the meridian energy lines and chakras through the use of the hand-positions, which normally correspond to the seven major chakras on the body. These hand-positions are used both on the front and back of the body, and can include specific areas (see localised treatment). According to authors such as James Deacon, Usui used only five formal hand-positions, which focused on the head and neck.[84] After Reiki had been given first to the head and neck area, specific areas of the body where imbalances were present would then be treated.[84] The use of the chakras is widespread within Western Reiki, though not as much within Traditional Japanese Reiki, as it concentrates more on treating specific areas of the body after using techniques such as Byosen-hō and Reiji-hō, which are used to find areas of dis-ease (discomfort) in the auras and physical body. [edit] Healing Usui Reiki Ryōhō does not use any medication or instruments, but uses looking, blowing, light tapping, and touching.[85] According to Frank Arjava Petter, Usui touched the diseased parts of the body, he massaged them, tapped them lightly, stroked them, blew on them, fixed his gaze upon them for two to three minutes, and specifically gave them energy,[86] and used a technique commonly referred to as palm healing as a form of complementary and alternative medicine. Through the use of this palm healing (sometimes referred to as "tenohira" (掌, meaning "the palm"), practitioners believe that they are transferring universal energy (reiki) in the form of ki through the palms that allows for self-healing and and a state of equilibrium.[3] [edit] Whole body treatment In a typical whole-body Reiki treatment,[87] the Reiki practitioner instructs the recipient to lie down, usually on a massage table, and relax. Loose, comfortable clothing is usually worn during the treatment. The practitioner might take a few moments to enter a calm or meditative state of mind and mentally prepare for the treatment,[88] that is usually carried out without any unnecessary talking.[89] The treatment proceeds with the practitioner placing the hands on the recipient in various positions. However, practitioners may use a non-touching technique, where the hands are held a few centimetres away from the recipient's body for some or all of the positions. The hands are usually kept in a position for three to five minutes before moving to the next position. Overall, the hand positions usually give a general coverage of the head, the front and back of the torso, the knees, and feet. Between 12 and 20 positions are used, with the whole treatment lasting anywhere from 45 to 90 minutes.[90] Many Western practitioners use a common fixed set of 12 hand positions,[64] while others use their intuition to guide them as to where treatment is needed[91] as is the practise in Traditional Japanese Reiki, sometimes starting the treatment with a "scan" of the recipient to find such areas. The intuitive approach might also lead to individual positions being treated for much shorter or longer periods. A Western Reiki treatment is considered a type of large-scale treatment in comparison to the more localised-style treatment of Traditional Japanese Reiki.[77] The use of the 12 hand positions energise on many levels,[77] by, Energising on a physical level through the warmth of the hands, Energising on the mental level through the use of the Reiki symbols, Energising on the emotional level through the love that flows with the use of the symbols, Energising on the energetic level though the presence of an initiated practitioner as well as the presence of the Reiki power itself.[77] It is reported that the recipient often feels warmth or tingling in the area being treated, even when a non-touching approach is being used. A state of deep relaxation, combined with a general feeling of well-being, is usually the most noticeable immediate effect of the treatment, although emotional releases can also occur.[92] As the Reiki treatment is said to stimulate the body's natural healing processes, instantaneous "cures" of specific health problems are not normally observed. A series of three or more treatments, typically at intervals of one to seven days, is usually recommended if a chronic condition is being addressed,[90] and regular treatments on an on-going basis can be used with the aim of maintaining well-being. The interval between such treatments is typically in the range of one to four weeks, except in the case of self-treatment where daily practice is common.[90] [edit] Localised treatment A Reiki treatment in progress. Localised Reiki treatment involves the practitioner's hands being held on or near a specific part of the body for a varying length of time. Recent injuries are usually treated in this way,[93] with the site of injury being targeted. There is great variation in the duration of such treatments, though 20 minutes is typical. Takata described "localised treatment" as 'hands-on work,' compared to distant or "absent healing."[94] Some practitioners use localised treatments for certain ailments, and some publications have tabulated appropriate hand positions,[95][96] However, other practitioners prefer to use the whole body treatment for all chronic conditions, on the grounds that it has a more holistic effect.[97] Another approach is to give a whole body treatment first, followed by a localised treatment for any specific ailments.[98] Usui used specific hand positions to treat specific ailments and dis-eases (discomfort),[99] which included disorders of the nervous system (such as hysteria),[100] respiratory disorders (such as inflammation of the trachea),[101] digestive disorders (such as gastric ulcers),[102] circulatory disorders (such as chronic high blood pressure),[103] metabolism and blood disorders (such as anaemia),[104] urogenital tract disorders (such as nephritis),[105] skin disorders (such as inflammation of the lymph nodes),[106] childhood disorders (such as measles),[107] women’s health disorders (such as morning sickness),[108] and contagious disorders (such as typhoid fever).[109] [edit] Breathing Though the specific use of breath and breathing is central to many styles of Japanese Reiki, it is often a neglected topic in Western Reiki.[110] Usui taught a technique called Joshin Kokyū-hō (女神呼吸法), which roughly translates as "the breathing method for cleansing the spirit," though literally translates as "Goddess Breath Method".[86] Joshin Kokyū-hō is performed by sitting straight, with the back aligned, breathing in slowly through the nose. As the practitioner inhales, s/he also breathes the Reiki energy in through the crown Chakra in order to purify the body and make it fit for the flow of Reiki, and is drawn down into the tanden.[86] [edit] Three Pillars of Reiki Along with the five Reiki principles, Usui based his Reiki system on three other practises; Gasshō, Reiji-hō, and Chiryō.[111] [edit] Gasshō Gasshō ("合掌" in Japanese, meaning "two hands coming together") is a meditative state where both palms of the hands are placed together, and was practised each time at the beginning of Usui's Reiki workshops/meetings. One technique of Gasshō is to concentrate on the pads where the two middle fingers meet.[111] [edit] Reiji-hō Reiji-hō (霊示法, meaning "indication of the Reiki power method") is a means of connecting with the Reiki power by asking it to flow through the practitioner three times, and is commonly split into three parts. The first part is to ask the Reiki power to flow through the practitioner. It will either enter through the crown chakra (as this is the highest ascension), the heart chakra (as indicated by the pure love of Reiki), or the hands (as the palms are attuned with specific Reiki symbols). A student of the Second Degree can use the third/distance symbol to connect with the Reiki along with the first/power symbol; the distance symbol is sent first and is then sealed with the power symbol.[112] The second part is to pray for the recovery of the person if a specific ailment is being healed, or for the general health of the person if otherwise.[112] The third part is to place both hands, palms facing each other, to the third eye (the area in between the two eyebrows), and ask the Reiki power to guide the hands to where energy is needed.[112] Though similar to the practice of Byosen-hō, Reiji-hō relies specifically on intuition of where to heal, whereas Byosen-hō scans for areas with the hands, feeling for subtle changes in the aura of the practitioner's hands and the aura of the recipient. [edit] Chiryō Chiryō ("治療" in Japanese, meaning "(medical) treatment") requires the practitioner to place his/her dominant hand on the crown chakra and wait for hibiki (響き, "feedback") in the form of an impulse or inspiration, which the hand then follows. During Chiryō, the practitioner gives free rein to the hand, touching painful areas of the body until the area no longer hurts or until the hands move on their own to another area.[113] [edit] Research, critical evaluation, and controversy [edit] Scientific research The proposed mechanism for Reiki energy is hypothetical as the existence of the ki or "life force" energy used in this method has not been proven scientifically.[4][114] A 2008 systematic review of randomised clinical trials assessing the evidence basis of Reiki concluded that efficacy had not been demonstrated for any condition.[4] Nine studies fit the inclusion criteria; a modified Jadad score of methodological quality was used, taking into account the difficulty of blinding practitioners. Non-randomised studies were excluded, as the potential for intentional or unintentional bias in such studies is large, rendering the results un-interpretable. Overall, the methodological quality of the evidence base was poor as most of the studies suffered from flaws such as small sample size, inadequate study design and poor reporting, with even high-ranking studies failing fully to control for placebo effects."[4] As trials with such flaws are known to be likely to show exaggerated treatment effects, there is insufficient evidence to indicate that Reiki is effective as sole or adjuvant therapy for any medical condition, or that it has any benefits beyond possible placebo effects.[4][115] Placebo trials of Reiki are complicated by the difficulty of designing a realistic placebo,[116] although subsequent trials with adequate placebo or sham controls have shown no difference between the procedure and the control groups.[4] A 2009 review in The Journal of Alternative and Complementary Medicine found that "the serious methodological and reporting limitations of limited existing Reiki studies preclude a definitive conclusion on its effectiveness."[117] [edit] Safety and effectiveness Main article: Testing of safety The American Cancer Society has noted that the research surrounding Reiki has been poorly conducted, and stated: "Available scientific evidence at this time does not support claims that Reiki can help treat cancer or any other illness. More study may help determine to what extent, if at all, it can improve a patient's sense of well-being."[5] Likewise, the National Center for Complementary and Alternative Medicine has echoed this position, noting that the existence of energy fields in biofield therapies, such as Reiki, "has not yet been scientifically proven."[6] Concerns about safety in Reiki are similar to those of other unproven alternative medicines. Doctors of medicine and allied health care workers believe that patients might avoid clinically proven treatments for serious conditions in favour of unproven alternative medicines.[118] Reiki practitioners may encourage their clients to consult a medical doctor for serious conditions, stating that Reiki can be used to complement conventional medicine.[119] Clinical trials have not reported any significant adverse effects from the use of Reiki.[4] William T. Jarvis, Ph.D., of The National Council Against Health Fraud, suggests that there "is no evidence that clinical Reiki's effects are due to anything other than suggestion" or the placebo effect.[120] [edit] Internal controversies With the many varied ways that have been used to teach Reiki, there have emerged points of controversy between different groups, teachers, and practitioners. Controversies exist on topics such as the nature of the Reiki energy itself, fees charged for courses and treatments, training methods, secrecy of symbols, and attunement methods.[121][122] Following the death of Hawayo Takata, through to the mid 1990s, there were rival claims to the title of "Grandmaster" of Reiki. However, this dispute largely evaporated when it was discovered that Takata herself had created the term.[123] [edit] Catholic Church concerns In March 2009, the Committee on Doctrine of the United States Conference of Catholic Bishops issued a decree (Guidelines for Evaluating Reiki as an Alternative Therapy)[124] halting the practice of Reiki by Catholics used in some Catholic retreat centres and hospitals. The conclusion of the decree stated that "since Reiki therapy is not compatible with either Christian teaching or scientific evidence, it would be inappropriate for Catholic institutions, such as Catholic health care facilities and retreat centres, or persons representing the Church, such as Catholic chaplains, to promote or to provide support for Reiki therapy." [edit] See also
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Genjutsu (naruto)

Jutsu (Naruto) In the anime and manga series Naruto by Masashi Kishimoto, a jutsu (術?, lit. "technique" or "skill") refers to the abilities ninja can use. The series occurs in a fictional universe in which different countries fight for power using ninja soldiers. The Naruto storyline follows a group of young ninja from the village of Konohagakure. In the series, ninja use jutsu by manipulating a form of energy known as chakra, a combination of the physical and mental energies in the body. Jutsu are classified into three categories: genjutsu, techniques that produce illusions; taijutsu, physical attacks that generally use only the body's physical energy; and ninjutsu, general techniques that do not fall into either of the other two categories. Series creator Masashi Kishimoto developed the concept of jutsu to explain the supernatural feats ninja perform in the series, and also to provide an original image of ninja in manga.[1] The incorporation of jutsu into the series has received both praise and criticism from several anime and manga publications. T.H.E.M. Anime Reviews asserted that jutsu were the primary focus of Naruto and the source of its "highest accolades", but criticized the overly repetitive use of certain jutsu in fight scenes.[2] Anime News Network agreed with this sentiment, calling the fights "repetitive to a fault", but praised the visual presentation of jutsu in both the anime and manga.[3][4][5] Creation and conception The concept of jutsu was developed by Masashi Kishimoto in order to explain the superhuman feats that ninja performed in the series. Kishimoto's design for the ninja in Naruto was intended to dispel preconceived notions about ninja popularized by other manga and bring an original take to the presentation of ninja in manga. The use of hand seals was a substitute for the incantations for magic found in other sources, and was based on the motions of ninja in various role-playing games.[1] The hand seals are based upon the characters of the Chinese zodiac, which is a longstanding tradition in Japan, and Kishimoto used them specifically to draw upon that tradition.[6] Although the concept of chakra is found in Indian mythology, Buddhism and other belief systems, in an interview, Kishimoto claimed that none of these influences were the basis for his use of chakra in Naruto. He further asserted that it was a term to apply a concrete definition to ninjas' ability to use jutsu in Naruto, and was comparable to the Force in Star Wars or magic points in role-playing games.[1] [edit] Chakra Simplified diagram of chakra generation mechanics Chakra (チャクラ chakura?) is the basic energy source necessary for ninja in Naruto to perform most jutsu. Ninja produce chakra through the combination of their two energies: the physical energy (身体エネルギー shintai enerugī?), drawn from the trillions of cells that make up the human body, and the mental energy (精神エネルギー seishin enerugī?), gained through experience and meditation.[7] Once created, chakra moves throughout the body in a manner similar to the circulatory system and is delivered to one of 361 chakra release points.[8] By performing a sequence composed of any of twelve different hand seals, chakra can then be manipulated to create supernatural effects, such as walking on water.[7] During Part II of the series the concept of nature manipulation (性質変化 seishitsu henka?), altering the quality of chakra, is introduced. Nature manipulation allows ninja, following certain training, to convert their chakra into one of five elements: earth, water, fire, wind, and lightning.[9] Each element is stronger and weaker than another element; for example, fire is weak against water, but can easily counter and even gets stronger when used against a wind-based jutsu.[10] All ninja have a natural affinity for one of the five elements, allowing them to use jutsu of that type with greater ease. Ninja with an affinity for fire, for instance, will be able to breathe fire much sooner than they will be able to manipulate water.[9] Skilled ninja can learn how to use other elements; ninja of the Jonin rank typically are able to manipulate at least two elements. Kakashi Hatake has been shown using three different elements in the Naruto manga and a fourth in the anime adaptation. Although these ninja can use their different elements separately with little effort, combining the two elements is impossible for ninja who do not have a genetic predisposition for it. Ninja with one of these genetic abilities can mix two specific elements to create an entirely new one. Haku, an antagonist introduced at the start of the series, can mix water and wind to create ice. Mokuton, a combination of earth and water unique to the First Hokage, Danzo and Yamato, allows the user to produce wood.[11] [edit] Eight Gates Eight Gates The Eight Gates (八門 Hachimon?, English anime: "The Eight Inner Gates") are eight specific points along the chakra circulatory system that limit the overall flow of chakra within a ninja's body. Although the gates make the ninja weaker in battle, they limit the body's functions to keep it from expiring too soon. Ninja that have learned to open these gates can surpass their own physical limits at the cost of various levels of damage to their own bodies. Each additional gate grants the user new levels of strength with additional injuries; by opening all eight gates the user will become invincible in battle, but their body will be so damaged in the process that they will die afterwards. Rock Lee is shown opening the first five gates during Part I of the series,[12] and his teacher, Might Guy, is seen activating the sixth and seventh during Part II.[13] In the Naruto Shippūden 2: Bonds movie, the villain Shinnou mentions opening the 8 gates when gaining the "perfect body" from his dark chakra transformation. [edit] Jutsu types Jutsu are divided into three categories: ninjutsu, genjutsu, and taijutsu. Ninjutsu also has two sub-categories: sealing jutsu and cursed seal jutsu, both of which are used to create seals for various purposes.[14] Senjutsu, a concept introduced in Part II of the series, uses three types of energy: the mental and physical energies of the shinobi and the energy of nature. By channeling the energy of nature, the senjutsu user can greatly increase the power of his or her other jutsu.[15] Kekkei genkai abilities are genetically inherited traits that allow the user to perform unique techniques.[14] Jutsu are ranked in terms of how difficult they are to perform, an E-rank denoting basic techniques and an S-rank indicating jutsu that require years of practice to master. An S-rank jutsu is not necessarily more effective than an E-rank ability, as a jutsu's effectiveness is largely based on individual skill. In addition to the six letter ranks, jutsu can also receive one of two informal ranks. "Secret" (秘伝 hiden?) jutsu are passed down from generation to generation within a clan. These jutsu are not ranked because no one outside the clan knows how to perform them. "Forbidden techniques" (禁術 kinjutsu?), on the other hand, fall into one of the six main ranks, but are an exception because they are forbidden to learn or perform. A technique can be categorized as forbidden if it either causes great harm to the user, such as opening the Eight Gates, or if the techniques are dark or sinister in nature, such as those used by Orochimaru.[14] [edit] Ninjutsu Ninjutsu (忍術?, lit. "ninja techniques") is a vague term referring to almost any technique that uses chakra and allows the user to do something that they otherwise would be incapable of doing. Unlike genjutsu, which makes the opponent see illusions, the effects of ninjutsu are real. They vary greatly in purpose, with the simpler ninjutsu serving such tasks as transforming the user or allowing them to evade attacks. These techniques are often second-nature for experienced ninja, who can use them at will. More complex ninjutsu manipulate one's surroundings or utilize the elements, respectively serving such tasks as healing others or manipulating Fire,wind,lightning,earth or water.[14] [edit] Genjutsu Genjutsu (幻術?, lit. "illusion techniques") are techniques that use the chakra in the victim's mind system to create illusions. The most commonly seen genjutsu in the series is the simple creation of phantasms – causing the targeted person(s) to hear, see, smell, taste or feel sensations that are not actually there in order to manipulate them. Most genjutsu affects the five senses, though other applications of genjutsu exist. Those under the influence of genjutsu either freeze in place or lose consciousness, depending on how capable they are in recognizing and defending against it. A genjutsu can be broken in one of three ways. The first is "genjutsu cancel" (幻術解 genjutsu kai?), a disruption of the victim's chakra flow either by themselves or their allies.[16] Pain that is not a result of the genjutsu, such as stabbing oneself, is a second method of countering genjutsu. Finally, if the caster of the genjutsu loses focus for whatever reason, the jutsu will end and the victim is freed.[17] In the Manga, "Tobi" wishes to cast a level 9 genjustu on everybody in the ninja world. [edit] Taijutsu Taijutsu (体術?, lit. "body techniques" or "hand-to-hand combat") refers to any techniques involving the martial arts or the optimization of natural human abilities. Taijutsu is executed by directly accessing the user's physical and mental energies, relying on the stamina and strength gained through training. Because chakra does not need to be produced, taijutsu can typically be performed much faster than ninjutsu or genjutsu techniques. Rock Lee, and Might Guy are advanced taijutsu users. [edit] Kekkei genkai Kekkei genkai (血継限界?, lit. "bloodline limit") are abilities passed down genetically in ordinary clans. Most of these clans have developed special techniques that rely on their genetic abilities, as it gives them an advantage in battle that cannot be taught to or copied by opponents. Kekkei genkai such as the Sharingan that work via the user's eyes are called "eye techniques" (瞳術 dōjutsu?).[14] Other kekkei genkai such as Mokuton revolve around a simultaneous combination of two separate chakra elements to create an entirely new one.[11] Kekkei genkai possess an advanced variation known as kekkei tōta (血継淘汰?, lit. "bloodline selection"). Its only known example is a combination of three elements instead of two. [edit] Sealing jutsu Sealing jutsu (封印術 Fūin jutsu?) are techniques that seal something inside objects or living beings. Its originated from the Uzumaki Clan that there are well relative to the Senju Clan. The most common application of this is sealing weapons or other objects within scrolls to efficiently carry a large number of items. Sealing jutsu are also utilized to restrict access to things, such as chakra or entry to a building. The sealing jutsu seen and mentioned most often in the series is the one sealing the nine-tailed demon fox within series protagonist Naruto Uzumaki or like Shukaku sealed in Gaara of the sand.[14] [edit] Senjutsu Senjutsu (仙術?, lit. "sage techniques") is a form of jutsu introduced during Part II of the series. It is achieved by combining the user's chakra with "natures energy", a task that can only be completed by ninja with particularly large chakra reserves who learn to harmonize with nature by remaining perfectly still — anyone else who tries is quickly overwhelmed by this natural energy, turning into a giant stone toad statue, though these statues are greatly respected. However, the master sage toad can neutralize the effects with his beating stick. Once senjutsu has been mastered, the user can perform jutsu with much greater power and effectiveness. The user also has the ability to mold the natural energy around their opponents, allowing them to increase the range of physical attacks to the extent of not even having to touch the opponent directly to inflict damage. As a beneficial side effect, senjutsu makes the user stronger as time passes rather than tiring them, as it is sourced in energy outside the body rather than the purely internal chakra of normal Jutsu. The state of harmony gained during its use also grants an expanded awareness, allowing its user to detect the presence, or absence, of familiar chakras. Senjutsu appears to be unique to the summoned toads in the series, as only they and their human students — Jiraiya and Naruto Uzumaki — have been seen using it.[15] [edit] Recurring jutsu [edit] Byakugan Neji Hyuga using the Byakugan The Byakuugan (白眼?, lit. "White Eye", English manga: "Evil Eye"/"All-Seeing Eye") is a genetic eye technique that naturally occurs in members of the Hyūga clan. Ninja with the Byakugan are characterized by their lavender-white, pupil-less eyes. When the Byakugan is activated, their pupils become more distinct and the veins near their temples bulge.[18] The Byakugan gives the user a nearly 360 degree field of vision, with only a small blind spot. The user can concentrate his or her chakra in the blind spot to achieve a 360 degree angle. They can see and focus in on anything within a certain distance from themselves, the range of which can be extended through training. During Part I of the series, Neji Hyuga is limited to fifty meters,[19] and by Part II, he can see objects at least eight-hundred meters away.[20] The Byakugan can detect and see through anything within its range of sight. In battle, users of the Byakugan can see the flow of chakra within an opponent's body. This enables the user to forcibly release their own chakra through one of the opponent's 361 chakra release points, cutting off the flow of chakra or directly attacking the internal organs. Because this is accomplished through only the slightest amount of physical contact, this style of fighting is named "Gentle Fist" (柔拳 Jūken?).[8] Due to the manifold techniques using the Byakugan and the Gentle Fist style, the Hyūga impose an elaborate family hierarchy for security reasons. The Gentle Fist's secret techniques are only allowed to be learned by the clan's "main house", who are protected at all times by members of the "branch houses". Branch house members are also branded with a cursed seal that destroys their Byakugan when they die, preventing enemy ninja from studying their bodies to learn the Byakugan's secrets.[21] In Part II it is revealed that a Kirigakure ninja, Ao, had the Byakugan of a ninja he defeated transplanted into his right eye. [edit] Chidori Sasuke Uchiha using the Chidori The Chidori (千鳥?, lit. "One Thousand Birds") was created by Kakashi Hatake during his childhood, and is formed by channeling strong lightning-based chakra in one's hand. This high concentration of electricity produces a sound reminiscent of chirping birds, hence its name. Once enough lightning-chakra has been collected, the user rushes at their target and thrusts the Chidori into it; the speed of the attack and the amount of chakra used enable the user to penetrate most defenses easily.[22] During Kakashi Gaiden, a short flashback to Kakashi's childhood that divides Part I and II of the series, the Chidori is revealed to cause a tunnel vision effect because of the speeds at which the user moves, leaving them vulnerable to a counterattack.[23] Because of this disability, only ninja with a Sharingan eye can use Chidori effectively, as the Sharingan's ability to notice even the slightest details counteracts the tunnel vision. As a result, Kakashi is able to teach the Chidori to Sasuke Uchiha during Part I.[24] Due to the large amounts of concentration and chakra needed to collect and control the lightning-chakra, both Kakashi and Sasuke are initially limited to using Chidori only a few times a day.[24] They are shown to have increased their limits in Part II, but to what extent is unclear. As the creator of the Chidori, Kakashi has reached a level of control great enough that he can split a bolt of lightning, resulting in his version being called the "Lightning Blade" (雷切 Raikiri?).[25] Sasuke also reaches greater levels of control during Part II, which allows him to reshape the Chidori in his hand into more solid forms like swords or needles.[26] In Part II, Sasuke used Chidori to make new moves like Chidori Stream, Chidori Current,or Katana. He used even more chakra for those moves. [edit] Summoning Jutsu: Reanimation Impure World Resurrection (口寄せ・穢土転生 Kuchiyose: Edo Tensei?) is a forbidden summoning Jutsu, though apparently having no actual harmful effect on the user, that is used to resurrect the dead. The process of this jutsu is obtaining a genetic sample from the deceased, either through grave robbery or blood stains and salvaged organs. From there, a living person is then sacrificed for the deceased spirit to be resurrected, though as a slave to the user's will. However, the Jutsu can only function if the deceased soul is within the realm of Pure Land and not elsewhere in the afterlife. Though it was the Second Hokage Tobirama Senju who invented Impure World Resurrection, the jutsu was later completed by Orochimaru when he used it against Hiruzen by reviving his predecessors. However, Kabuto perfected Impure World Resurrection to the point where he is able to revive dozens of ninja in one execution. However, the more fully he dominates their original personality, the more effort it takes. [edit] Mokuton Mokuton (木遁?, lit. "Wood Release", English anime: "Wood Style") is a bloodline ability of the Senju Clan. By combining earth and water-based chakra, the user could produce trees or wooden objects from any surface. This allow the First Hokage Hashirama Senju to create the foundation of Konohagakure.[27] The objects created with Mokuton vary in detail, ranging from a simple wall to a functioning copy of the user.[28] During Part II, it was revealed that Yamato received the ability to use Mokuton techniques after being injected with Hashirama's DNA by Orochimaru. A possibly unrelated technique, but unique to the First Hokage and Yamato, is the ability to suppress a tailed beast. This is accomplished by producing wooden poles from the ground that attach to the beast and force its chakra to recede.[29] Similar to Yamato, Danzo also had the Hashirama's DNA injected into him by Orochimaru, granting him the ability to use Mokuton techniques.but only to a limited amount as danzou can not have too much implanted or he will be killed. [edit] Orochimaru's cursed seals Orochimaru's cursed seal jutsu (呪印術 juin jutsu?, lit. "cursed seal techniques" or "technique of the curse mark") is a special seal Orochimaru uses to increase the power of his subordinates and control them. It is introduced in the series when Orochimaru brands Sasuke Uchiha with one. After biting Sasuke's neck, Orochimaru leaves him unconscious while his body accepts or rejects the cursed seal.[30] Sasuke survives the process and is given access to its first level. In the first level, the seal spreads from its point of application across the user's body, increasing their chakra supply and their physical abilities in the process. When the seal is deactivated, the user is left exhausted, having expended all their energy during its use.[24] Orochimaru's reasons for giving Sasuke the cursed seal are because Orochimaru's furofushi art of immortality needs a new host every 3 years so he gave Sasuke the heaven cursed seal to draw Sasuke in for more power[31] Towards the end of Part I of the series, the Sound Four, Orochimaru's personal bodyguards, are introduced. Each is branded with a cursed seal of a different design, and each can access its second level. The second level is achieved by allowing the seal to engulf their entire body, radically changing their body's appearance and increasing their strength beyond that of level one. The Sound Four help Sasuke achieve level two by giving him a special drug.[32] After obtaining level two, Sasuke begins training to gain control over his cursed seal; in Part II, he can isolate the level two transformation to specific parts of his body.[33] Later in Part II, Sasuke meets Jugo, the origin of Orochimaru's cursed seals. Jugo's body naturally produces an enzyme that allows him to freely transform parts of his body. Once extracted from Jugo's body and refined, Orochimaru also could give the enzyme to whomever he wished, creating a group of strong and loyal followers for his personal use.[34] [edit] Puppet Technique The Puppet Technique (傀儡の術 Kugutsu no Jutsu?, English manga: "Art of the Puppet Master", English anime: "Puppet Master Jutsu") is a style of combat originating in the village of Sunagakure that utilizes strings of chakra to control objects, typically puppets. The puppeteer connects one of their fingers to part of a puppet's body with a chakra string, allowing them to remotely operate it in battle with the proper finger movements. Advanced puppeteers can control multiple puppets at once; for instance, the Sunagakure ninja Chiyo can control ten puppets at once by having each finger control a different puppet.[35] However, the Sasori can control up to 100 different puppets, with the strings connected directly to his heart.[35] Because they rely almost exclusively on the secret weapons and features of their puppets during battle, puppeteers are the most vulnerable component of this style, and go to lengths to remove themselves from combat.[36] Puppets normally cannot use chakra; the Akatsuki member Sasori creates puppets from human bodies, preserving the chakra and unique abilities the body originally had.[37] Kankuro is the most commonly seen puppeteer in Naruto, and he adds additional puppets to his arsenal as the series progresses.[38] [edit] Rasengan Naruto Uzumaki using Rasengan The Rasengan (螺旋丸?, lit. "Spiraling Sphere", English manga: "Spiral Chakra Sphere", Naruto: Uzumaki Chronicles: "Power Strike") is a jutsu that Minato Namikaze created after three years of hard development by observing the Tailed Beast Ball. It is a spinning ball of compressed chakra formed in the user's hand that tears and grinds with great force into whatever it comes into contact with.[39] The Rasengan is introduced in the series when Jiraiya, Minato Namikaze's teacher, teaches it to Naruto Uzumaki, Minato's son, to take Uzumaki Naruto further in his training. Of all the people who possess the ability to use the Rasegan, Naruto is the only ninja with the power to create multiple styles, in fact almost every single Naruto movie, he finishes his enemies with a final unique type of attack, such as the Giant, Tornado, Crescent moon, Rainbow and his current most powerful: the Fuuton: Rasen-Shuriken, or Wind Style: Spiraling Shuriken.[40] Because it is a difficult jutsu, Jiraiya teaches it to Naruto in three stages: spinning the chakra, giving it sufficient force, and forming the chakra into a compressed spherical shape.[41] Naruto struggles with the final step, and creates an alternative method using a shadow clone to mold the shape of the attack while he provides the chakra and controls it.[42] During Part II of the series, new variants of the Rasengan are seen. Both Naruto and Jiraiya are shown capable of forming a larger, "Great Ball" (大玉 Ōdama?) Rasengan that is stronger than the standard version.[43] Kakashi Hatake, Minato's student, and Konohamaru Sarutobi, Naruto's "apprentice", are also revealed to have been taught how to use the Rasengan. Kakashi reveals to Naruto that Minato intended to combine the Rasengan with his elemental chakra but was unable to complete the technique.[39] Naruto is able to complete his father's work through the use of shadow clones – by using two shadow clones, one to mold the shape of the attack and one to provide the elemental chakra, Naruto is able to add his wind element chakra to the Rasengan and creates a new version of it, the Rasen-Shuriken. Although at first he can only maintain the form of the attack for a few seconds, it severely damages its target by separating into tiny needles that destroy all the chakra vessels in the target's body. However, if used as a closed ranged weapon, it damages the users arm as well: using this attack, Naruto is able to kill the "Immortal" Akatsuki member Kakuzu in a single attack. However, the attack severely damaged his arm as well, prompting the Fifth Hokage Tsunade to label it as a kinjutsu (forbidden technique).[44] Later in Part II, Naruto masters the technique by using sage chakra, which enables him to throw the Rasen-Shuriken and use the technique without any self-damage, destroying Pain's Human path. Now Naruto uses his nine-tail chakra to make a Rasengan called (Bijudama) Tailed-Beast Bomb Rasengan and the new Rasengan is made by combining black and white chakra in a specific ratio(8:2). Also, in each movie, there has been a special Rasengan to fit the movie, but they are never shown again in the manga or anime series. [edit] Rinnegan The Rinnegan (輪廻眼?, lit. "Saṃsāra Eye") is a unique eye technique possessed by the Sage of the Six Paths, regarded as the father of all Jutsu and a thing of legend in the shinobi world. Though diluted in the Sage's descendants, Nagato possessed the Rinnegan and had it manifest in his Paths of Pain extensions, though he is not the only one to have possessed it. It is revealed that the Rinnegan is connected to the Sharigan in some way. The Rinnegan is characterized by a ripple-like pattern around the pupil, with a light purple iris and sclera. In addition to enabling the user to quickly master various jutsu, the user may also use all six forms of chakra nature. Similar to the Sharingan's exclusive abilities (Tsukuyomi, Amaterasu, and Susano'o), the Rinnegan has its own exclusive abilities - Shinra Tensei, Bansho Ten'in, and Chibaku Tensei. Shinra Tensei uses the user's body as the epicenter of gravity, allowing the user to manipulate gravity away from themself, pushing away any technique of any force. There is a five second time limit, preventing the user from using consecutively. It can also be used for massive destruction - at the cost of shortening the user's lifespan. A titanic gravity well is placed over the designated area, and then blown away from the user. Shinra Tensei in this case is capable of destroying an entire village, but leaves the user unable to access its other gravitational powers for several minutes. Bansho Ten'in, Shinra Tensei's companion ability, is similar, in that it manipulates gravity. But instead of pushing away, this one pulls all things towards a center point. It is unknown if it can be used to cause massive destruction as well. The same five second limit applies to Bansho Ten'in as well. Chibaku Tensei is the final exclusive technique. In order to use this technique, a large amount of chakra must be concentrated. The user releases a small black orb of energy into the sky, where it then activates and becomes a gravity center, lifting everything from the earth to it. It is capable of uprooting large trees, destroying mountains, and causes a large crater where the earth was taken. All the earth is compacted into an extraterrestrial body, floating in the sky, trapping everything and anything within it. The Sage of the Six Paths used this technique to create the moon, trapping the Ten Tails within it. The one weakness of this technique is its greatest strength. Because it pulls everything in the surrounding area towards its epicenter, a concentrated blast from powerful long range techniques will be automatically drawn to the black orb. If they destroy the black orb, the technique will end. [edit] Shadow Clone Technique The Shadow Clone Technique (影分身の術 Kage Bunshin no Jutsu?, English manga: "Art of the Shadow Doppelganger") English anime: "Shadow Clone Jutsu" is one of the first jutsu to be seen in Naruto, and is series protagonist Naruto Uzumaki's signature technique.[2] It is used to create any number of copies of the user capable of cohabitating with their surroundings, performing jutsu, and engaging in battle. They will disperse in a puff of smoke when sufficiently damaged or at the user's discretion.[45] When clones are created, the user's chakra is evenly distributed among them, making it easy for the user to quickly expend all their chakra. While most ninja limit themselves to only making a few clones because of this, Naruto can create thousands of clones due to his large amount of chakra.[9] Naruto learns this technique from a forbidden scroll he was tricked into stealing by a renegade ninja named Mizuki. During Part II, Naruto discovers that any knowledge a clone gains during its existence is transferred to the user when it disperses. Despite using clones several times throughout the series, he did not notice this effect until he was told by Kakashi Hatake. Since then, Naruto has used this aspect to improve his training methods. When learning a new technique, he has his shadow clones train alongside him, allowing him to accomplish a year of training in only a day. He has also used clones as scouts, sending them into battle to learn how an opponent attacks or spreading them across a wide area to find something in only a fraction of the time.[9] but if the user makes too many shadow clones and uses up their chakra then they can die. like many other jutsu if one tries to force shaddow clones then they will not activate. [edit] Sharingan Sasuke Uchiha using the Sharingan The Sharingan (写輪眼?, lit. "Copy Wheel Eye", English manga: "Mirror Wheel Eye") is a genetic eye technique that naturally occurs in members of the Uchiha clan, an offshoot of the Rinnegan. It is not immediately present from birth, and first activates in a stressful situation in battle; after this occurrence, the user may utilize the Sharingan freely.[46] When first acquired, the Sharingan may have one or two tomoe, acquiring more tomoe until it fully matures, having three tomoe in each eye. It's possible for the user to have a different number of tomoe in each eye. Kakashi Hatake possesses a single, transplanted Sharingan in his left eye that he received from his teammate, Obito Uchiha.[47] Because he is not a member of the Uchiha clan, Kakashi's Sharingan is always active and he expends chakra rapidly when using it, forcing him to withdraw in combat or sacrifice his life energy and needing extended rest after long battles.[48] Members of the Uchiha clan expend a mild amount of chakra when using the Sharingan; Akatsuki member Itachi Uchiha keeps his Sharingan activated constantly. Danzo has also been shown to have a transplanted Sharingan in his right eye, taken from Shisui Uchiha, and ten more in his right arm, also transplanted from other Uchiha clan members. Over the course of its development, the Sharingan will grant the user three unique abilities. It is most famous in the Naruto world for its ability to instantly memorize and replicate any movement it has seen, allowing the user to copy most opponent's jutsu by memorizing the handsigns/muscle movements and allows them to use the jutsu against them and later opponents.[49] The Sharingan's second ability grants the user increased clarity of perception, allowing them to track and predict the movements and actions of fast-moving objects. This also allows the user to easily recognize genjutsu and different forms of chakra.[47] Its final ability is a brand of scenarios that suggests actions and thoughts to the opponent, acting as an effective way to produce beyond genjutsu abilities or implant memories in another person.[50] Those who possess the also Sharingan have access to Izanagi, a genjutsu that is cast on the user instead of others and is the most powerful amongst this type of genjutsu. When activated, the caster removes the boundaries between reality and illusion within their personal space. To a degree, this allows the user to control their own state of existence, allowing them to reverse injury and even their own death. It is normally only active for the briefest of moments. Izanagi can only be used by those with the genetic traits of the Sage of the Six Paths. The Uchiha, descended from the Sage, are able to perform Izanagi with their Sharingan. In exchange for the brief control of reality that it allows them, the Sharingan with which Izanagi is cast becomes blind. For this reason the Uchiha labelled it a kinjutsu. To make full use of Izanagi, users must also have the genetic traits of the Senju, who are also descended from the Sage. For this reason Danzo had some of Hashirama Senju's DNA transplanted into his Sharingan arm, which had the added benefit of increasing his physical energy and vitality. Madara Uchiha also makes use of Hashirama's DNA, though he claims to have gained control of it, unlike Danzo. It is also revealed that Madara is also the only Uchiha to have ever awaked the Rinnegan. [edit] Mangekyō Sharingan The Mangekyō Sharingan (万華鏡写輪眼 Mangekyō Sharingan?, lit. "Kaleidoscope Copy Wheel Eye") is a heightened form of Sharingan introduced towards the end of Part I. At that time, the Mangekyō Sharingan is explained to be rare, even among the members of the Uchiha clan, and present only in those who have killed their closest friends.[51] In Part II, it is revealed that after Madara Uchiha became the first to awaken his Mangekyo Sharingan, apparently it became common practice for Uchiha clan members to kill their friends to gain their own.[52] Unlike the regular Sharingan, which appears identical from user to user, the Mangekyō Sharingan's tomoe seal differs between individuals. Similarly, each Mangekyō Sharingan grants the user unique abilities.[53] Its abilities were usually derived from the Japanese mythology, hence giving the interpretation that they are one of the divine and most powerful ninja techniques ever used. Known features of the Mangekyō Sharingan are Amaterasu (天照?), the ability to generate a black flame so hot that it can burn anything in its line of sight, including other flames eye and it will not stop burning until its target is incinerated or in Sasuke's case if the user calls it off; Tsukuyomi (月読?), a genjutsu that traps the opponent in a realm controlled by the user, during where days of subjective time can pass instantly, and as such allows no time for the target to break free of the jutsu; and Susanoo (須佐能乎?), a summoned mystical being made of chakra which is able to protect and attack for the user. These abilities are only seen in Sasuke Uchiha, and his brother Itachi Uchiha, though Madara is shown to be familiar with them. Kamui (神威?), awakened in Kakashi's Mangekyō Sharingan, grants him the unique ability to open a dimensional rift that is capable of sucking in anything in the line of sight of Kakashi's Mangekyō Sharingan. Madara has displayed a similar ability that allows his to teleport himself and others to another dimension, allowing him to easily escape from capture, as well as to travel vast distances. Once it has been gained, the Uchiha user suffers from ever-deteriorating eyesight, a process that is aggravated by repeated use and culminates in blindness.[54] One's eyesight can be permanently restored by taking and transplanting the eyes of another Uchiha clan member, a process that results in the creation of an "Eternal" Mangekyō Sharingan (永遠の万華鏡写輪眼, Eien no Mangekyō Sharingan). The tighter the blood ties are between the "donor" and the receiver, the better it is for compatibility, siblings for example. Not only does this process permanently restore one's eyesight, with the exception of use of Izanagi, but it also gives the person even greater power. The eternal Mangekyō Sharingan also seems to change form from the original, with what appears to be a fusion of the current owner's Mangekyo with the previous owner's. Madara was the first Uchiha to awaken the Eternal Mangekyō by taking his younger brother, Izuna's, eyes did he regain his sight, which gave him great power. After suffering from onset near-total blindness from overuse of his ocular powers, Sasuke underwent the process himself with Itachi's eyes. Sasuke Uchiha awakened his Mangekyō Sharingan after learning the truth about his brother, Itachi. In his grief over the knowledge that Itachi was not the villain he imagined him to be, coupled with Sasuke's role in Itachi's death, he awakens his Mangekyō Sharingan. After transplanting Itachi's eyes, Sasuke has now gained "Eternal" Mangekyō Sharingan, one that can be used repeatedly without it causing any damage to his eyes. Sasuke now possesses all of Itachi's ocular powers in addition to his own. [edit] Summoning Technique The Summoning Technique (口寄せの術 Kuchiyose no Jutsu?) allows a ninja to summon a creature to their side during battle. The creature can then use its own unique abilities or weapons however it sees fit. Before a summon can be performed, a ninja must first sign a contract with the creature in their own blood. After that they need only press their hand to the ground, offer an additional donation of blood, and provide an appropriate amount of chakra to bring the creature to their location.[55] The Summoning Technique has been used by a number of different characters during the series, each of whom summons a different type of creature. The toads summoned by series protagonist Naruto Uzumaki and the snakes summoned by recurring antagonist Orochimaru are the most commonly seen types of summons. During Part II, creatures are shown to be capable of summoning their own kind or even the summoner themselves, allowing them to move around the Naruto world much faster.[56] [edit] Reception Shonen Jump has featured several popularity polls for jutsu in the series. In every official poll, Rasengan has ranked first, and Chidori has ranked second.[57] These results were reversed in a similar poll in the first Naruto databook, in which Chidori was ranked first, and Rasengan second.[58] In a top ten list of jutsu compiled by IGN's Ramsey Isler, Rasengan was ranked first, and Chidori second.[59] Several pieces of merchandise have been released featuring Naruto characters performing jutsu, including action figures and clothing.[60][61][62][63][64] Several publications for anime and manga have commented on the use of jutsu in the series. IGN called jutsu "one of the most entertaining parts of the Naruto franchise", and noted that "the complicated but impressive-looking hand gestures, the unique physical attributes, and the pure unadulterated destructive power of the ninjutsu are some of the things that make the series wildly popular".[65] T.H.E.M. Anime Reviews claimed that it was in "fight/action scenes that Naruto receives is highest accolades", and praised the "invigorating and unique fighting styles/techniques [that] manage to continuously infuse action sets with life".[2] However, it criticized the "overemployment of certain special techniques" such as Naruto Uzumaki's Shadow Clone Technique, noting that the fights became "bland and repetitive" over time.[2] Anime News Network (ANN) considered the structure of battles "repetitive to a fault — a series of competing power-ups followed by an elegiac coda", but mollified by the series' "winning formula: the villains are vile, the heroes sympathetic, and the stakes high".[3] In a review of the eighth through tenth volumes of the manga, ANN lambasted the fact the fights were frequently "interrupted by long-winded (and sometimes redundant) explanations of strategies and special techniques", but praised the visual presentation of the fights, noting that "the fights are staged with a clear eye for geography, movement and the human form, and are bursting with so much visual energy that not even the flashbacks and tedious explanations can dampen them".[4] For the visuals in the anime, ANN made note of the fight between Naruto Uzumaki and Sasuke Uchiha in episodes 132–134, noting the "impressiveness of the Sasuke fight's visuals", in which "Naruto clones explode from a lake like ninja-shaped surface-to-air missiles and glowing energy limbs ambush enemies from underground and cling to rock faces like neon prehensile tails". Although ANN praised the animators who "put all the love they could into the fight", it criticized the slow plot pacing that led up to the fight, and the fight's tedious structure.[5]
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